Mobilità, In the Studio: Kettler’s Cathedra (at work)

by Alana Riley

1 min 20 s en boucle/loop

Edition of 10

1,600.00 USD $

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About The Work

Ce clin d’œil à la célèbre peinture de 1951 du peintre américain Barnett Newman, et à une photo qui en a été faite quelques années plus tard, reconduit avec ludisme la grandeur et la pompe associées au discours sur la peinture abstraite américaine. Le récit de Cathedra est ici revisité par une table de ping-pong.

This amused nod to American painter Barnett Newman’s famous 1951 painting Cathedra, and re- staging of an archival photo of the painting, brings the highbrow pomp associated with traditional discourse on American abstract expressionism down to cheery, ordinary experience. Cathedra’s narrative is revisited here by a ping- pong table.

vidéo avec son/video with sound 1 min 20 s en boucle/loop

 

Print Information

WHAT TYPE OF PAPER IS THE PHOTOGRAPH PRINTED ON?

All prints are Digital Pigment prints on museum-quality acid-free papers such as Museum Etching, Canson Rag and Arches Velin. These papers are designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. The choice of paper is suggested by the Photographer according to his or her preferences.

WHAT IS THE PRINTING PROCESS USED?

All prints are Digital Pigment Prints using the latest top of the line technology, archival high dynamic inks and 200 years old life paper.

IS THE IMAGE SIZE THE SAME AS THE PAPER SIZE?

NO! Our prints are on standard paper sizes and we don’t alter the image size and proportions to fit the paper. Each print has a minimum of 0.5 inch white border. This is an artistic decision that belongs to the artist. Margins don’t normally exceed 2-4 inches on each side depending on the final paper size.