All prints are Digital Pigment prints on museum-quality acid-free papers such as Museum Etching, Canson Rag and Arches Velin. These papers are designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. The choice of paper is suggested by the Photographer according to his or her preferences.
All prints are Digital Pigment Prints using the latest top of the line technology, archival high dynamic inks and 200 years old life paper.
No, the photograph is not signed, instead the Photographer signs a Certificate of Authenticity (COA) which accompanies very limited edition prints (1 to 30). The COA protects the security and genuineness of your limited edition print. Larges editions (31 and more) don't come with a certificate of authenticity.
The smaller print sizes are produced in larger editions and do not come with a Certificate Of authenticity to make them more widely accessible and more affordable. Photographs are available in different formats depending of the artist, small, medium or larger scale. The large-scale print size is normally produced in a very limited edition (1-30 prints) making them more valuable because of the limited number available and they also come with a signed and numbered certificate of authenticity.
The Print Atelier aims to achieve accuracy between the photographs you see online and your final print. However we cannot be responsible for minimal differences deriving from reproduction techniques that may exist between the presented image and the print. Computer screens may differ and the colour and contrasts of the image on the screen may not look exactly like what you receive. This is because different types of monitors are calibrated differently. Also, any prints with a soft focus or texture work (grain, spots, etc.) were created that way for artistic purposes.
No. Our prints are on standard paper sizes and we don’t alter the image size and proportions to fit the paper. Each print has a minimum 0.5 inch white border.
by Hector Adalid
Raramuri is a series of landscapes in the North part of Mexico in the estate of Chihuahua. The pictures were created with 120mm black and white film, shot on a Rolleiflex Camera and on 35mm black and white film, shot with a a Leica M6 and a 38 summicron lens without digital manipulation. " You know where a journey starts, but you never know where it ends. " Alejandro Jodorowsky. The artist has been going to photograph in Chihuahua for many years now. Over the years, he has made friends that live in the region’s mountains. The Raramuri are one on the 62 native American groups still living in Mexico. The body of work that he has created about the Raramuri people is a large part of his artistic practice. Hector Adiladid finds it very moving to see such a peaceful and harmonious landscape in a region that now has been torn apart by violence and the drug lords of the North Cartel.