All prints are Digital Pigment prints on museum-quality acid-free papers such as Museum Etching, Canson Rag and Arches Velin. These papers are designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. The choice of paper is suggested by the Photographer according to his or her preferences.
All prints are Digital Pigment Prints using the latest top of the line technology, archival high dynamic inks and 200 years old life paper.
No, the photograph is not signed, instead the Photographer signs a Certificate of Authenticity (COA) which accompanies very limited edition prints (1 to 30). The COA protects the security and genuineness of your limited edition print. Larges editions (31 and more) don't come with a certificate of authenticity.
The smaller print sizes are produced in larger editions and do not come with a Certificate Of authenticity to make them more widely accessible and more affordable. Photographs are available in different formats depending of the artist, small, medium or larger scale. The large-scale print size is normally produced in a very limited edition (1-30 prints) making them more valuable because of the limited number available and they also come with a signed and numbered certificate of authenticity.
The Print Atelier aims to achieve accuracy between the photographs you see online and your final print. However we cannot be responsible for minimal differences deriving from reproduction techniques that may exist between the presented image and the print. Computer screens may differ and the colour and contrasts of the image on the screen may not look exactly like what you receive. This is because different types of monitors are calibrated differently. Also, any prints with a soft focus or texture work (grain, spots, etc.) were created that way for artistic purposes.
No. Our prints are on standard paper sizes and we don’t alter the image size and proportions to fit the paper. Each print has a minimum 0.5 inch white border.
by Hector Adalid
Japan is a serie of images that were taken on a trip to Shirikawa-go, a remote village in the mountains of the Ono District, in the Gifu prefecture region. A sort of road trip between the isolated countryside and Tokyo. The serie consists of five images, created with digital files were shot with a 5D Mark II. The images are in color and black and white and there’s no digital manipulation. The artist always enjoy trips; traveling to him doesn’t equate necessarily going to far away places. He can travel two blocks away but he feels : "It’s the movement that makes everything change. Change is the only law". In 2011, Hector Adiladid was invited by a dear friend to spend a month in her hometown Tokyo. He was totally blown away by the huge sense of tradition, order and refinement in Japanese culture and of its natural beauty.