All prints are Digital Pigment prints on museum-quality acid-free papers such as Museum Etching, Canson Rag and Arches Velin. These papers are designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. The choice of paper is suggested by the Photographer according to his or her preferences.
All prints are Digital Pigment Prints using the latest top of the line technology, archival high dynamic inks and 200 years old life paper.
No, the photograph is not signed, instead the Photographer signs a Certificate of Authenticity (COA) which accompanies very limited edition prints (1 to 30). The COA protects the security and genuineness of your limited edition print. Larges editions (31 and more) don't come with a certificate of authenticity.
The smaller print sizes are produced in larger editions and do not come with a Certificate Of authenticity to make them more widely accessible and more affordable. Photographs are available in different formats depending of the artist, small, medium or larger scale. The large-scale print size is normally produced in a very limited edition (1-30 prints) making them more valuable because of the limited number available and they also come with a signed and numbered certificate of authenticity.
The Print Atelier aims to achieve accuracy between the photographs you see online and your final print. However we cannot be responsible for minimal differences deriving from reproduction techniques that may exist between the presented image and the print. Computer screens may differ and the colour and contrasts of the image on the screen may not look exactly like what you receive. This is because different types of monitors are calibrated differently. Also, any prints with a soft focus or texture work (grain, spots, etc.) were created that way for artistic purposes.
No. Our prints are on standard paper sizes and we don’t alter the image size and proportions to fit the paper. Each print has a minimum 0.5 inch white border.
Victor (b.1980 Mexico City) studied actuarial sciences at the UNAM, with specialty in finances. After working for 5 years in actuarial related jobs he decides to change to photography.
In 2005 he starts to study photography for several years within the workshops taught by Lazaro Blanco in the Casa del Lago in Mexico City and takes in 2007, in the same place, the courses of Cinema in Video and Cinematographic Script with Juan Santiago Huerta. He moves to Montreal in 2008 where he studied Photography at the Dawson College. Currently he works as a fine art photographer and documentary filmmaker.
For more information about Victor, visit www.vvvphoto.com
2012 | Artscape Wychwood Barns, Toronto
2012 | Espace Infopresse, Montréal
2012 | Sommerset House, London, UK
2011 | 18 Exmouth Market, London, UK
2011 | Gallery Centre Culturel Valery Larbaud, Vichy, France
2012 | "Paal” 21 min, documentary, Co-director, co-producer, photography
2008 | "Ciudad Huacal” 10 min, documentary, Photography
2012 | Sony World Photo Awards / Open Category Enhanced Images First Prize
2012 | PDNedu / Fine Art-Personal Work Grand Prize
2012 | International Photography Awards / Digitally Enhanced Honorable Mention
2012 | Applied Arts Awards / Student Photography Prize
2012 | Prix Lux / Student Personal Project Prize
2010 | Laisse-Moi Voir contest organized by Quebec’s National Fine Arts Museum Jury Prize
2009 | El Cielo Desde México / Light Pollution Category First Prize
2009 - 2012 | Professional Photography (DEC) – Dawson College
2008 | Cinema on video workshop – UNAM
2006 - 2008 | Photography workshop – UNAM
1997 - 2001 | License in Actuary (BAC) – UNAM