All prints are Digital Pigment prints on museum-quality acid-free papers such as Museum Etching, Canson Rag and Arches Velin. These papers are designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. The choice of paper is suggested by the Photographer according to his or her preferences.
All prints are Digital Pigment Prints using the latest top of the line technology, archival high dynamic inks and 200 years old life paper.
No, the photograph is not signed, instead the Photographer signs a Certificate of Authenticity (COA) which accompanies very limited edition prints (1 to 30). The COA protects the security and genuineness of your limited edition print. Larges editions (31 and more) don't come with a certificate of authenticity.
The smaller print sizes are produced in larger editions and do not come with a Certificate Of authenticity to make them more widely accessible and more affordable. Photographs are available in different formats depending of the artist, small, medium or larger scale. The large-scale print size is normally produced in a very limited edition (1-30 prints) making them more valuable because of the limited number available and they also come with a signed and numbered certificate of authenticity.
The Print Atelier aims to achieve accuracy between the photographs you see online and your final print. However we cannot be responsible for minimal differences deriving from reproduction techniques that may exist between the presented image and the print. Computer screens may differ and the colour and contrasts of the image on the screen may not look exactly like what you receive. This is because different types of monitors are calibrated differently. Also, any prints with a soft focus or texture work (grain, spots, etc.) were created that way for artistic purposes.
No. Our prints are on standard paper sizes and we don’t alter the image size and proportions to fit the paper. Each print has a minimum 0.5 inch white border.
Self-taught photographer. Born in the south of France, I’ve lived and worked in Montreal since 2011. I wish I had a great story about inheriting my first camera from my grandfather or something like that, but no. I simply bought it in a store.
I’ve studied languages, worked as a lighting designer for shows, and spent several years being a creative ad guy. I now focus on my photography, based on observation and magnifying the simplest things.
I trust providence (not the religious definition though) and patience. My approach is based on wandering and accepting the impromptu. I use photography to make simple factual observations and also to gather people, places, lines or lights in a setup that will exist only once. Why only once?
Photography learned as an autodidact from 2008. Medium format 6x6. 35 mm. Digital.
EXHIBITIONS AND BOOKS
2014 | Perfect Strangers I National Geometric, Galerie Vert de gris, Fréjus, France
2014 | Autoportrait dans le livre Leica Myself, Éditions 99 Pages, Allemagne
2014 | Des Inconnus à Cuba dans #photography, Issue #11, UK
2014| Des Inconnus à Cuba dans Monster Children Photo Annual, Australie
2015 | Des Inconnus à Cuba Galerie Yves Laroche,Montréal, Canada
2015 | People Series, dansFubiz
2015 | Des Inconnus à Cuba, dans Flyway
2015 | Des Inconnus à Cuba, Entrevue dans Flanelle Magazine
2015 | National Geometric sur AYE MAG
2016 | Perfect Strangers dansCreative Boom
2016 | Perfect Strangers dans Fubiz
2016 | Perfect Strangers dans The Lift Magazine
2016 | Perfect Strangers dans Photogrvphy
2016 | Meet the photographers capturing Cuba in the midst of change, dans Circa News
2016 | Des Inconnus à Cuba, dans The Adventure Handbook, septembre
2016 | A Bright Interval dans Plain Magazine
2016 | A Bright Interval dans Creative Boom
2016 | A Bright Interval dans ToTravelIsToLive