All prints are Digital Pigment prints on museum-quality acid-free papers such as Museum Etching, Canson Rag and Arches Velin. These papers are designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. The choice of paper is suggested by the Photographer according to his or her preferences.
All prints are Digital Pigment Prints using the latest top of the line technology, archival high dynamic inks and 200 years old life paper.
No, the photograph is not signed, instead the Photographer signs a Certificate of Authenticity (COA) which accompanies very limited edition prints (1 to 30). The COA protects the security and genuineness of your limited edition print. Larges editions (31 and more) don't come with a certificate of authenticity.
The smaller print sizes are produced in larger editions and do not come with a Certificate Of authenticity to make them more widely accessible and more affordable. Photographs are available in different formats depending of the artist, small, medium or larger scale. The large-scale print size is normally produced in a very limited edition (1-30 prints) making them more valuable because of the limited number available and they also come with a signed and numbered certificate of authenticity.
The Print Atelier aims to achieve accuracy between the photographs you see online and your final print. However we cannot be responsible for minimal differences deriving from reproduction techniques that may exist between the presented image and the print. Computer screens may differ and the colour and contrasts of the image on the screen may not look exactly like what you receive. This is because different types of monitors are calibrated differently. Also, any prints with a soft focus or texture work (grain, spots, etc.) were created that way for artistic purposes.
No. Our prints are on standard paper sizes and we don’t alter the image size and proportions to fit the paper. Each print has a minimum 0.5 inch white border.
After studying communication and film, Maude began her career as a photographer, working for prestigious publications such as Vogue, Elle, Harper's Bazar, Nylon, Flare and Madame Figaro. Following extended stays in Sydney, NY and Paris Maude now lives in her native Montreal where she has 3 kids and where she founded "The Print Atelier" Gallery.
Her work is recognized for its poetic sensuality, documenting the everyday life and moments of intimacy. Maude is strongly inspired by the passage of youth to adult life, she often depicts young girls exploring their inner curiosity for sexuality and role playing. She also has a fascination for women and their strength and passion for life. Maude is constantly working on personal series documenting the themes of change (adolescence, maternity, death), loneliness and sensuality. Over the last 15 years she has been involved in many group and solo exhibitions in North America.
For more information you can visit her website at: www.maudearsenault.com
2016 | Minor in Art History, Université de Montréal, Qc, Canada1995 | Major in Communication, Université de Montréal, Qc, Canada
2016 | "Untitled", Occurence Centre d'art et d'essais, Montreal
2015 | Rite de passage, Sidlee agency, Montreal.
2014 | Carbon, Contact Festival, Neubacher Gallery, Toronto.
2013 | See.me, Scope Miami Art Basel, Miami, Florida.
2010 | Women X Women, Thrush Holmes Gallery, Toronto.
2008 | Mouvements Focalisés, SAS Galerie, Montreal.
2006 | Worldpress, Montreal.
2001 | Carnet de Voyage, Galerie TM, Montreal.