All prints are Digital Pigment prints on museum-quality acid-free papers such as Museum Etching, Canson Rag and Arches Velin. These papers are designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. The choice of paper is suggested by the Photographer according to his or her preferences.
All prints are Digital Pigment Prints using the latest top of the line technology, archival high dynamic inks and 200 years old life paper.
No, the photograph is not signed, instead the Photographer signs a Certificate of Authenticity (COA) which accompanies very limited edition prints (1 to 30). The COA protects the security and genuineness of your limited edition print. Larges editions (31 and more) don't come with a certificate of authenticity.
The smaller print sizes are produced in larger editions and do not come with a Certificate Of authenticity to make them more widely accessible and more affordable. Photographs are available in different formats depending of the artist, small, medium or larger scale. The large-scale print size is normally produced in a very limited edition (1-30 prints) making them more valuable because of the limited number available and they also come with a signed and numbered certificate of authenticity.
The Print Atelier aims to achieve accuracy between the photographs you see online and your final print. However we cannot be responsible for minimal differences deriving from reproduction techniques that may exist between the presented image and the print. Computer screens may differ and the colour and contrasts of the image on the screen may not look exactly like what you receive. This is because different types of monitors are calibrated differently. Also, any prints with a soft focus or texture work (grain, spots, etc.) were created that way for artistic purposes.
No. Our prints are on standard paper sizes and we don’t alter the image size and proportions to fit the paper. Each print has a minimum 0.5 inch white border.
Daniel was born and raised Sydney, Australia.
He began his career in film and television, where he gradually found himself drawn to his interest in light and photography. He went on to graduate from Photo media at Sydney College of the Arts and was awarded the prestigious Phototechnica Award for New Australian Photo-Artist of the Year - 2001 with his honours project.
He was exhibited in groups shows at ACP Sydney, Perth Institute of Contemporary Arts, UTS Gallery, First Draft Gallery and most recently at Neubacher Shor (Toronto) during Contact Photo Festival 2014. His first solo show "Botanical Inquiry" was recently exhibited at Saint Cloche Gallery in Sydney.
Daniel has initiated and collaborated on projects with Future Classic Music, Rosemount Australian Fashion Week, and Oxfam/Cirque du Soleil (World Youth Day). He was an exhibited finalist in the 2005 Josephine Ulrick & Win Schubert Photography award and whilst living in Canada was awarded the LUX Prize for an Editorial Portrait Series.
He is currently based in Sydney
For more information on Daniel visit: www.danielshipp.com
EXHIBITIONS | SELECTED
2016 | Antipodean Inquiry(group show) - Yavuz Gallery, Singapore
2015 | Botanical Inquiry - The Other Art Fair, Sydney
2015 | Botanical Inquiry - Saint Cloche Gallery, Sydney
2014 | Carbon (group show)- Neubacher Shor Contemporary, Toronto
2011 | Daniel Shipp x Future Classic’ - ‘Somedays’, Sydney
2010 | The Fashion Week Project’ - ‘Belinda’, Paddington
2005 | Making Silence (group show) - UTS Gallery
2001 | Triggered (group show) - First Draft Gallery
2000 | Hatched (group show) - Perth Institute of Contemporary Art
AWARDS | SELECTED
2015 | Highly Commended - Bowness Photography Prize, Monash Gallery of Art
2015 | International Photography Awards, Winner - Fine Art : Still Life
2007 | Luxe prize (Quebec, Canada) for an Editorial portrait series
2005 | Josephine Ulrick Award (exhibited finalist)
2001 | Photo Technica New Australian Photo Artist of the Year