All prints are Digital Pigment prints on museum-quality acid-free papers such as Museum Etching, Canson Rag and Arches Velin. These papers are designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. The choice of paper is suggested by the Photographer according to his or her preferences.
All prints are Digital Pigment Prints using the latest top of the line technology, archival high dynamic inks and 200 years old life paper.
No, the photograph is not signed, instead the Photographer signs a Certificate of Authenticity (COA) which accompanies very limited edition prints (1 to 30). The COA protects the security and genuineness of your limited edition print. Larges editions (31 and more) don't come with a certificate of authenticity.
The smaller print sizes are produced in larger editions and do not come with a Certificate Of authenticity to make them more widely accessible and more affordable. Photographs are available in different formats depending of the artist, small, medium or larger scale. The large-scale print size is normally produced in a very limited edition (1-30 prints) making them more valuable because of the limited number available and they also come with a signed and numbered certificate of authenticity.
The Print Atelier aims to achieve accuracy between the photographs you see online and your final print. However we cannot be responsible for minimal differences deriving from reproduction techniques that may exist between the presented image and the print. Computer screens may differ and the colour and contrasts of the image on the screen may not look exactly like what you receive. This is because different types of monitors are calibrated differently. Also, any prints with a soft focus or texture work (grain, spots, etc.) were created that way for artistic purposes.
No. Our prints are on standard paper sizes and we don’t alter the image size and proportions to fit the paper. Each print has a minimum 0.5 inch white border.
Dara Scully (born 1989) lives in the north of Spain. She’s a photographer, writer and tree woman. She studied Fine Arts at Salamanca University and Photography at EFTI School in Madrid.
Dara explores the poetics of the forest. She can't understand the world without beauty, so her work is like a search, like a silent escape from the reality.
2013 | Becas Roberto Villagraz – Finalist, EFTI School, Spain
2016 | Beca Roberto Villagraz - Finalist with 'A child is playing'Sony World Photography Awards: Open Competition Commended
2015 | RawGallery, Cadàver Exquisit, Barcelona (collective)
2014 | El árbol de los anticuentos, Noche en Blanco, Málaga (collective)
2014 | jäälphoto #2, Art fair, Madrid
2013 | Point & Shoot, Curated by Art&Music. Cock 'n' Bull Gallery, London (collective)
2013 | Room Art Fair #3, Art fair, Madrid
2013 | Incubarte 6 / Independent art festival (Valencia)
2013 | Forest. Photographic approaches in contemporary art,Curated by Thomas Elsen. Neue Galerie im Höhmannhaus, Augsburg (Germany) (collective)
2013 | Miradas Animales, Curated by Miguel Juristo. Búnkerfest 2013, León (collective)
2013 | Reflexión, Mutuo Centro de Arte, Barcelona (collective)
2013 | Mira el mundo con otros ojos,Escuela Apertura, Málaga (collective)
2013 | ODI ET AMO: Femme Fatale, del encanto a la perversión, Archivo municipal, Málaga (collective)
2013 | La Carnicería - Pop Up Store, Curated by Teresa Jiménez and Gema Arias. Mercado de Antón Martín, Madrid (collective)
2013 | Cuando nadie mira, Curated by Isabel Hernández. Casa del Libro, Mála 96 800x600 Normal 0 false false false EN-CA JA X-NONE (collective)2012 | ODI ET AMO: Femme Fatale, del encanto a la perversión,Curated by Isabel Hernández and Lourdes Jiménez.Sala Ámbito Cultural de El Corte Inglés, Málaga (collective)