All prints are Digital Pigment prints on museum-quality acid-free papers such as Museum Etching, Canson Rag and Arches Velin. These papers are designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. The choice of paper is suggested by the Photographer according to his or her preferences.
All prints are Digital Pigment Prints using the latest top of the line technology, archival high dynamic inks and 200 years old life paper.
No, the photograph is not signed, instead the Photographer signs a Certificate of Authenticity (COA) which accompanies very limited edition prints (1 to 30). The COA protects the security and genuineness of your limited edition print. Larges editions (31 and more) don't come with a certificate of authenticity.
The smaller print sizes are produced in larger editions and do not come with a Certificate Of authenticity to make them more widely accessible and more affordable. Photographs are available in different formats depending of the artist, small, medium or larger scale. The large-scale print size is normally produced in a very limited edition (1-30 prints) making them more valuable because of the limited number available and they also come with a signed and numbered certificate of authenticity.
The Print Atelier aims to achieve accuracy between the photographs you see online and your final print. However we cannot be responsible for minimal differences deriving from reproduction techniques that may exist between the presented image and the print. Computer screens may differ and the colour and contrasts of the image on the screen may not look exactly like what you receive. This is because different types of monitors are calibrated differently. Also, any prints with a soft focus or texture work (grain, spots, etc.) were created that way for artistic purposes.
No. Our prints are on standard paper sizes and we don’t alter the image size and proportions to fit the paper. Each print has a minimum 0.5 inch white border.
Flash Forward Festival- Boston 2014
May 1–4, 2014
At Fairmont Battery Wharf
Celebrating emerging photographers from Canada, the United Kingdom & the United States
Take Me There
Travel photographs from Air Canada’s enRoute magazine (2009-2014)
From the Bahamas to China and beyond, Air Canada’s enRoute magazine takes its readers on a global journey each month. Working with some of the most acclaimed Canadian and international travel photographers, the magazine offers a distinct perspective on the world. This exhibition highlights the narrative power of photography and the importance of visual storytelling in our everyday lives. It is a celebration of the photographers who take us there.
· Grant Harder, grantharder.com
· Kari Medig, karimedigphoto.com
· Eamon Mac Mahon, eamonmacmahon.com
· Elizabeth Weinberg, elizabethweinberg.com
Buy Art, Support the Air Canada Foundation
Air Canada’s enRoute is offering a selection of limited-edition prints from the show for sale in partnership with The Print Atelier, an online gallery founded by Canadian photographer Maude Arsenault with the aim of making the process of collecting and discovering art photography more accessible to a new generation of collectors. Proceeds from the sales will benefit the Air Canada Foundation, a charitable organization whose mission is to help connect sick children to the medical care they need, alleviate child poverty and make the wishes of ill kids come true. Thank you to the photographers, who have generously donated their works for this project.
CURATORS OF THIS SPECIAL COLLECTION
Adam Cholewa is the Art Director of Air Canada’s enRoute, the award-winning inflight magazine. He formerly worked as Associate Art Director at The Grid, named the world’s best designed newspaper for three consecutive years, by the Society of News Design. In addition, his work experience includes time at Toro, Chatelaine, and Maclean’s. Adam comes from a strong visual background, having studied both Fine Arts and Communication Design.
Managing Editor/Books & Exhibitions, The Magenta Foundation
Julien Beaupré Ste-Marie is a photo editor with an international roster of clients and contacts. The photography, video and illustration projects he has commissioned have won National Magazine, Grafika, Lux, NATJA and Pearl awards and have been praised in numerous publications including Applied Arts, Communication Arts, Computer Arts and Creative Quarterly. As a curator he has developed shows for the Magenta Foundation’s Flash Forward Festival, and exhibited in Toronto, Boston, Portland and London. Formerly the Photo Editor of enRoute magazine, he is now Managing Editor/Books & Exhibitions at the Toronto-based Magenta Foundation. Beaupré Ste-Marie possesses a background in Art History and Communications, and his interests lie in fashion and art photography as well as the magazine media.
Ilana Weitzman is the Editor-in-Chief of Air Canada’s enRoute, the award-winning inflight magazine. She is the recipient of two National Magazine Awards and an Award of Merit from the North American Travel Journalists Association. Air Canada’s enRoute is read by over one million travellers a month and can be found in the seat pockets of Air Canada aircraft and in Maple Leaf™ Lounges and select Star Alliance™ lounges around the world. Each month, we engage our audience through intelligence, insight, humour, and spot-on service. Our stories exemplify narrative journalism at its best, exploring the world through first-hand, experiential pieces that highlight broader trends afoot.